This happy, comfortable album of gentle dances and ballads mixed with moderately up-tempo studies is perfect for early evening listening. The musical sound of Adolfo is mellow, richly arranged jazz with broad harmonies flavored with Brazilian rhythms and the spirit of Rio de Janeiro, his home town, and urban America, site of his Florida music school. For this surprisingly varied album, Ricardo Silveira is the guitarist, and of course Adolfo is at the keyboard. His group consists of the usual suspects found on many of his large discography: Jorge Helder, acoustic bass Rafael Barata, drums and percussion Rafael Rocha, trombone Marcelo Martins, tenor saxophone and flute and Danilo Sinna, alto saxophone. In later years, she perfected the Brazilian style of bossa nova, and her final album, “Blossoms Planet,” released in 2000, captured “her voice floating away as though to sea, or to heaven, on lapping waves of tastefully synthesized strings,” according to Stephen Holden of the New York Times.ĭearie is survived by her brother, Barney, and a niece and nephew.Antonio Adolfo – Octet And Originals (AAM): “After having recently issued two superb albums featuring respectively the music of Milton Nasciamento and Antonio Carlos Jobim, pianist/composer/band leader/educator Antonio Adolfo turns to his own creations. She established her own record company, Daffodil Records, in 1974, and later contributed to the educational sing-along “Schoolhouse Rock!” on tracks like ‘Mother Necessity,’ ‘Figure Eight’ and ‘Unpack Your Adjectives.’ In the 1960s, her popular radio tune for Hires Root Beer was such a hit she later released an entire album inspired by it, “Blossom Dearie Sings Rootin’ Songs.”ĭearie continued recording albums for Verve Records and Capitol Records through the 1960s, but as rock and roll became popular, her delicate songs hit harder times. Dearie moved to Paris in the 1950s where she sang with the Blue Stars, an eight-member group she formed. Trained on the piano, she switched to jazz and moved to New York City in the 1940s where she sang with the Blue Flames a vocal group in Woody Herman’s big band. On April 29, 1926, Marguerite Blossom Dearie was born in East Durham, N.Y., and named after a neighbor delivered peach blossoms the day of her birth. Other catchy tunes, like “Peel Me a Grape,” were covered by the likes of Dusty Springfield and continue to be covered today. While Dearie never had a hit, her tunes, like “Bye-Bye Country Boy” and ‘I’m Hip,’ are regular rotations on the nightclub circuit. Over the course of her long career, Dearie regularly collaborated with some of the best, including Johnny Mercer and Dave Frishberg, often writing her own melodies. Dearie performed as a jazz vocalist in nightclubs in New York and London for decades, with her last appearance in 2006 at Danny’s Skylight Room in New York.ĭearie preferred to be called a “songwriter’s singer,” as she told Los Angeles Times critic Leonard Feather years ago. Blossom Dearie, the whimsical singer-songwriter with a pixie’s voice who entertained generations of nightclub goers, died Saturday morning after her health deteriorated in recent years.
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